Hars Akademi Uluslararası Hakemli Kültür Sanat Mimarlık Dergisi

Öz

The Ottoman Empire, with its geographical extent spanning three continents, economic and political structure, and artistic and cultural richness, attracted the attention of researchers and artists from Eastern and Western civilizations and directed them to different studies. It can also observed that this interest is increasing in history, literature, cinema and music. Lale Devri (Tulip Era) which includes the years between 1718-1730 is one of the most precious time in the art history of ottoman empire and also one of the most evaluated periods. Lale Devri (Tulip Era); With its social life, architectural features, the advent of the printing press and the beginning of translation activities, it enabled the formation of a unique taste for the period in music and poetry. However, the differences in life and thought between the people and the political authority turned into a separation over time, and it ended with a rebellion.
The Patrona Halil Rebellion, which caused the end of the Lale Devri (Tulip Era), created an imaginative value around the sense of rebellion in works of art, along with historical studies. Patrona Halil, one of the symbolic names of rebellion against authority in the self-realization of the individual or society, has become the subject of literary texts with both the rebellion he carried out and his characteristic features.
The aristocrat bandit, one of the most frequently used types in Socialist Realist literature; He becomes the voice of the crowds who take from the rich and give to the poor, who rebel against events they consider unfair without calculating their own power and influence, and who keep their anger and objection within themselves through this rebellion. Patrona Halil is also seen in the works of different writers as a representative of this type in Turkish and Hungarian novels. The difference between history and historical novel is one of the problems of studies on historical novel.
In the study, the comments made by the authors in line with their own perspectives on the process described will be evaluated. The basis for this study will be Kerim Korcan's Patrona, Aptullah Ziya Kozanoğlu's Patronalılar, Ahmet Aziz's Lale Zamanında İsyan (Vak'a-i Patrona Halil); Mo'r Jo'kai's novel, known as Beyaz Gül, translated into Turkish as Kanlı Lale, will also be mentioned in terms of his perspective on the period. In the article, the treatment of Patrona Halil as a novel character will be discussed and the perspectives developed on the period with four different works written and published at very different times will be tried to be evaluated in line with the elements of the novel genre.