Research Article

LATCHKEYS AND SATELLITES: CONCEPT OF LOYALTY IN NOËL COWARD’S PRESENT LAUGHTER

Volume: 45 Number: 2 December 22, 2021
EN TR

LATCHKEYS AND SATELLITES: CONCEPT OF LOYALTY IN NOËL COWARD’S PRESENT LAUGHTER

Abstract

Comedy of manners, as a genre which emerged in the Restoration period, was popular in the twentieth century, too. Although some qualities have changed over time, the main characteristics remained the same. Noël Coward, a twentieth century playwright, has contributed to the genre with his plays that evoke the sense of comedy in the audience. In his Present Laughter, loyalty is an important term which has the power to reunite couples and maintaining businesses. Garry Essendine, who is in the middle of the events, has two circles around him: the inner circle in which the comrades of Garry try to protect and be loyal to him and the outer circle in which the members try to get in to the former one. By defeating threats like two one-night stand guests, the inner circle’s aim is to keep their loyalty for their own benefits such as maintaining the business. Due to restricted studies about the concept of loyalty in the literature, we will focus, in this study, directly on loyalty as a comic element and the loyal comrades of the main character who contribute to the resolution in Present Laughter. Finally, we will show that the term loyalty is used in this play to protect the main character from a threat which comes from the outside of the orbit in which the satellites circle around.

Keywords

References

  1. Burns, G. J. (1999). Private Lives: The Presentation of Marriage in English Drama 1930 - 1990. (Publication No. 0800949) [Doctoral dissertation, University of New South Wales]. ProQuest Dissertations & Theses Global.
  2. Coward, N. (1954). The Collected Plays of Noël Coward: Play Parade Vol. IV (Tonight at 8.30, Present Laughter, This Happy Breed). London: William Heinemann.
  3. Coward, N. (1979). Plays: Four (Blithe Spirit, Present Laughter, This Happy Breed, Tonight at 8.30). London: Methuen.
  4. Dinçel, M. S. (1989). Technical and thematic developments in three representative comedy of manners: Wycherley's The Country Wife, Etherege’s The Man of Mode and Congreve's The Way of the World. (Publication No. 7647) [Master's thesis, Hacettepe University]. Yükseköğretim Kurulu Ulusal Tez Merkezi. https://tez.yok.gov.tr/UlusalTezMerkezi/tezDetay.jsp?id=uPiaa6yuHLAaAEcfwxFOgQ&no=uPiaa6yuHLAaAEcfwxFOgQ
  5. Gray, F. (1987). Macmillan Modern Dramatists: Noel Coward. London: Macmillan.
  6. Gray, F. (2006). Always Acting: Noël Coward and the Performing Self. In M. Luckhurst (Ed.), A Companion to Modern British and Irish Drama, 1880-2005 (pp. 225-236). Malden, MA: Blackwell.
  7. Hirst, D. L. (1979). Comedy of Manners. London: Methuen.
  8. Hoare, P. (1996). Noël Coward: A Biography. New York: Simon & Schuster.

Details

Primary Language

English

Subjects

-

Journal Section

Research Article

Publication Date

December 22, 2021

Submission Date

April 27, 2021

Acceptance Date

October 22, 2021

Published in Issue

Year 2021 Volume: 45 Number: 2

APA
Ercan, M. (2021). LATCHKEYS AND SATELLITES: CONCEPT OF LOYALTY IN NOËL COWARD’S PRESENT LAUGHTER. Cumhuriyet Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, 45(2), 133-146. https://izlik.org/JA28ND48GH

.